lines forming geometric shapes; bold black lines form large hexagon; bold red lines form smaller hexagon; many triangle, rectangles, and diamonds; red, orange, green, black, and gold lines with some geometric forms filled in with stipple and wavy lines; received in white frame — Geometric, 2014
Monir Shahroudy Farmanfarmaian

G243

seated woman with dark hair, wearing red sunglasses, denim jacket, and a blue skirt, sitting on a bench; blue sky and tan ground — Think Long, Think Wrong, 2021
Avis Charley

G259

colorful image; grouped figures in T quadrants; colorful, horizontal planes along B quadrants, representing walls and the ground; bench in BC; window in URC; single figure in LLC; brown wavy lines along bottom edge of image; floating mount, with a brown wood frame — Untitled, 1965
Agatha Wojciechowsky

G353

image of a hammerhead shark lying on piece of land; body of water in washy red pigment on L, with mountains in the background; red sky that gradates to blue at horizon line, with black diagonal scribbles throughout; red building on the R, with two palm trees at entrance; boat in CR; anchor in ULC — Untitled (Hammerhead Shark), 1974
H. C. Westermann

G353

Black woman at left wearing a red skirt suit with white buttons, red and white striped blouse, and red hat with white pompon or flower; Black woman to right of first figure wearing a black blouse, tan skirt, and tan hat with white bow, holding a baby wrapped in a white blanket; Black couple at right, with woman in a brown skirt suit and brown hat with white band, reaching out for baby, and man wearing a dark suite and dark hat; two Black children at center; small framed portrait of a Black man in a black hat against a turquoise ground, on a shelf at top center; received in white frame — The Beginning, 2002
Winfred Rembert

G322

abstracted image with nine female figures in a wheel-like shape with their heads overlapping at the center (many not visible), wearing tan bodices and long white skirts; green ground; flowers at bottom edge; received in black frame — Arose, 2020
Shahzia Sikander

G243

Old Fashioned Window/2, Ramona Sakiestewa — Old Fashioned Window/2, 1989
Ramona Sakiestewa

G261

Front Room, 2022

Pamela Phatsimo Sunstrum

G368

oversize color photograph of two Black women with short hair reclining in a bed with a blond wood headboard; one is lying down with eyes closed, the other is behind, embracing her partner's shoulder and gazing down at her; the women are wearing tank tops with lower bodies partially covered by a white duvet; arrived in a black frame, no overmat — Gina & April, Minneapolis, Minnesota, 1998
Catherine Opie

G368

beading and sequins overall; central turquoise drum in front of a gold platform, with an old man with white hair and beard wearing gold pants and a black shirt with green leaves and vines assisting a woman wearing a white hat and blue dress with moons and starts onto the platform; musicians at left and right; man in red knickers and gold shirt playing maracas and man in green pants and black and red shirt playing a lute at right; man in dark blue suit playing an accordion, man in white pants at red shirt with leaves seated on and playing a box-shaped percussion instrument, and man in black tank top playing a harmonica at left; large brown element at top; multicolored beads on border, with symmetrical pattern of maracas, conical horns, and lutes; outer fabric border of patterned khaki, grey, and white fabric, with gold sequined trimming — Bal Kontredans, 2021
Myrlande Constant

G255

Abstract image; rectangle with black irregular streaks and spots; iridescent gold and bronze; spiderwebbed areas at bottom center and center right; collaged broken glass and brown paper elements; black canvas ground mounted on tan stretched canvas mount; received unglazed — Skinning the Mirror #12, 2021
Edgar Arceneaux

G373

large print in shades of orange, black, gray, and blue; blues appear to be hand-colored; image appears to be a mechanical technical drawing in which the components have been squashed, deformed, and exploded across the page; jumbled and whirling geometric forms, cooking utensils, and egg beaters in blue on the right side of sheet; curving black lines and orange shading on the left side of sheet; on cream-light yellow paper; hinged to mat, in blond wood frame — All the Wars in the World (Fire): Come and Get Me, 2020
Alice Aycock

G373

horizontal wooden forms in layers; top form like a large turned wood spindle; several layers of slab-like forms beneath; vertical round element with sawed-off pegs and holes at front PL corner; seven organic shaped holes through roughly oval element at top PR side, with one sawed-off peg and two small pegs; some elements wrapped in inherent creased, folded, and crumpled white paper; side with signature and date is front — buttai47, 2018
Miho Dohi

G374

central painted panel with geometric shapes including abstracted letters, in various bright multicolors (predominately warm colors at left, cool colors at right), surrounded by a white frame; outer band of beadwork in predominately red, black, and blue with white text: "WHAT WE WANT / IS FREE"; outer white frame — WHAT WE WANT IS FREE, 2020
Jeffrey Gibson

G304

two dimensional object with a mixture of photographs and collage-like elements; surface is slightly raised with photographs and shapes imbedded like puzzle pieces; gray textured backing; series of red plus signs dispersed across upper half; two horizontal red lines-one in upper left quadrant and one in upper right quadrant; red vertical line on upper middle right side, and runs downward to bottom, intersecting with a small square-shaped black and with photograph of a cratered rock; five red circles with photographs of space, portraits and life scenes placed in middle of circle; other photographs of life scenes and space dispersed across surface; various colored dots in orange, blue, red, black and white decorate background — Bess, 2016
Sadie Benning

G373

Abstract assemblage in browns, tans, grey, black and cream; raised rectangular box-like elements at center--some open, some "closed"; predominately horizontal and vertical layered elements of various colors and textures; one open rectangular box has thin paperlike elements in various layers; wavy black lines and small frenetic tic marks particularly concentrated on topmost closed rectangular box and at bottom center; metal envelope clasp at top left of center; received in a shadowbox with silver edging — Time Memory / Fault 11, 2016
Shinro Ohtake

G374

paper collage with various images including standing figure at center with raised red elements on legs and shoulder and flame on chest, cans of Coke at bottom center, face of Statue of Liberty in URQ, woman with cat eye in ULQ; applied small round mirrors surrounded by colored (red, turquoise, pink, white) threads; applied green lotus pods; some applied elements recessed in ground including tray with pink and white petunias, green tray in the shape of the letter "U", silver and bronze cups, and pear-shaped form; long and short pins (some with white heads) stuck into surface at varying depths with irregular spacing overall--many pins have either a single black or clear sequin or a cutout paper collage element with various imagery (heads, skulls, insects, body parts) — Revolutionary Song, 2016
Elliot Hundley

G373

central image with medium toned wood inner frame--black and white image of two Black men outdoors, wearing white double-breasted cook's shirts--man at right wears a tall chef's hat; outer image in color of red, blue, and white plaid fabric; medium toned wood outer frame--unglazed — post-colonial bush breakfast "no wahala", 2021
David Alekhuogie

Not on View

Black man in front of a shop window with mannequins wearing tiaras and feather boas; man wears a black brimmed hat and a black leather trench coat, holding a black portfolio case, with a cigarette in his mouth — NYC (man in black coat), 1970s
Anthony Barboza

Not on View

group of figures standing in a row; center figure wears a green shirt, with bright pink pigment at leg area, with green sections; R figure wears a head scarf, and raises PR hand, with mostly red and blue pigments on body areas, and stockings with scalloped design at top; two arches in top C; figure walking through a doorway in URC; row of houses in top L edge of image; blue pigments over two figures on L; many figures have areas of impasto throughout — Rendezvous At The Crossroads, 2018
Leonardo Benzant

Not on View

abstract image with multicolored pigments in many layers; blue and white striped triangular shape at T; repeating pattern of the Sphinx in TC; Kente cloth pattern in background, appearing in URQ and at LL edge; swirling, mottled brushstrokes throughout; line of numbers and letters, some upside-down, in BR edge; large pink blobs of pigment throughout; glittered elements in text over red woven pattern in LRQ — George 8:46, 2021
David Huffman

Not on View

standing child, wearing a white dress, with white gloves on hands, and white socks with black dress shoes; green sign with text behind child; tan ground and wall in background — Untitled, 1990
Jamillah Jennings

Not on View

portrait of a woman wearing a nurse's uniform, wearing a white cap and a blue robe with gold lettering at neck; red background — Untitled, 1989
Jamillah Jennings

Not on View

image of a woman wearing a blue hat, blue coat with a geometric print, and yellow scarf with a plaid pattern; text in a yellow rectangle, in CR, reading "NOt MY BLACK Son"; red background, with lighter red band of pigment TC, with text in black pigment inside it — Untitled, 1989
Jamillah Jennings

Not on View

black-and-white image of young woman with Afro hairstyle, with her mouth open wide, wearing a sweatshirt printed "MALCOLM X" with his portrait, and houndstooth pants, at left; young man at right with head turned to PL, smiling, wearing identical sweatshirt, jacket and black pants; received in black frame — Untitled (Watts, California), 1967 (printed 2020)
Gordon Parks

Not on View

color image of a group of Black people with tall buildings in background; boy wearing a dark suit at right; smiling man at center holding a newspaper ("Muhammad Speaks") with the headline, "OUR FREEDOM CAN'T WAIT!"; two women at left wearing sunglasses; received in black frame — Untitled, Harlem, New York, 1963 (printed 2020)
Gordon Parks

Not on View

black and white image of a young Black child pointing at Black and white baby dolls being held by their heads in the hands on a white man; received in black frame — Doll Test, Harlem, New York, 1947 (printed 2020)
Gordon Parks

Not on View

Untitled, Washington, D.C., 1963 (printed 2017)

Gordon Parks

Not on View

black and white image of two little Black children cuddling with a doll between them, seated on the floor with a decorative heat register grill in wall in URQ; received in black frame — Children with Doll, 1942
Gordon Parks

Not on View

abstract image; amorphous shapes throughout in gold, red and light blue muted pigments; translucent oblong bubble shape in LRQ; deep green backgound — Untitled, 1953
Thomas Sills

Not on View

abstract image in muted maroon and burgundy pigments; budded shape in center that is light green with surrounding maroon pigment; linear thorny shape in light pigment on L; blooming, cloudy white shapes in all quadrants — The Stranger, 1954
Thomas Sills

Not on View

two loosely rendered standing figures; R figure shaded with black pigment, with PR arm draped on shoulder of L figure; outlined figures formed in a crowd in background on L — Untitled (Street demonstration), 1963
John Wilson

Not on View

young Black girl with her hair in a ponytail, standing up inside an open Jeep with her upper body above the windshield, her PR hand in a fist and holding a sign ("When Will MLK Jr.'s Dream Come True") in her PL hand; scowling Black woman with glasses in driver's seat of Jeep; shirtless Black man wearing shorts and tennis shoes standing on top of another Jeep at right; Ferris wheel at center back — 2020, Juneteenth Celebration, Atlanta, GA, 2020
Sheila Pree Bright

Not on View

outdoor scene; woman with head bent down, wearing a dark headband, light-colored mask, and light-colored garment with long sleeves, looking at an open softbound book in her PL hand; woman holds an American flag on a pole in her PR hand, with another smaller flag clutched in her PR fist — 2020, A woman outside of Rayshard Brook's funeral, Atlanta, GA, 2020
Sheila Pree Bright

Not on View

colorful abstract image; vertical format; black cross at top with red, turquoise, and orange rectangles on right and left, row of orange and green triangles at bottom, and tan form with curved bottom with orange wavy lines and green forms at center; tan half-circle with black border at bottom; long green wavy lines at left and right; red band at left, orange band at right; received in light finish strip frame — Untitled, 1969
Ellsworth Ausby

Not on View

salmon-colored helicopter silhouette with a nude woman nursing a baby, in black and grey wash, above it; "PEACE" in stenciled letters to left and right of woman and child, in brown — P.E.A.C.E., Helicopter, Mother + Children, 1968
Nancy Spero

Not on View

[Title unknown], c. 1970

Moki Cherry

Not on View

central color photograph of a Black man with long braided or twisted hair and a white beard, wearing silver reflective sunglasses, a red hat, a blue and white suit printed with medallions, and predominately orange slip-on shoes; man holds a colorful staff with an open gourd-like element at top below his hands; background is blue and white plaid fabric; white frame surrounding photograph has cubbyholes around edges, each of which contains a rectangular maroon, red, and white aluminum can labelled "Pimentao doce" with an image of two peppers — Master Cobra Mansa, 2012/1433 (Gregorian/Hijri)
Hassan Hajjaj

Not on View

A forecast told through shadows, Caroline Kent — A forecast told through shadows, 2021
Caroline Kent

Not on View

central color photograph of a Black woman wearing a brightly-colored patterned outfit--turquoise sunglasses, red headscarf with blue polka dots, animal print and floral predominately yellow and black shirt, red patterned skirt with stars, brown leggings with diamond designs, turquoise polka-dotted socks, and blue and white striped shoes; woman stands in front of a background with blue borders and white center, with lavender, blue, and white flowers; blue and white checked floor; white frame surrounding photograph has cubbyholes on left and right sides and shadowbox openings at top and bottom which are filled with tomato-shaped red plastic containers with green spouts — Lynette Yiadom-Boakye, 2017/1438 (Gregorian/Hijri)
Hassan Hajjaj

Not on View

COVID-19: Labor Camp Report, Piotr Szyhalski / Labor Camp — COVID-19: Labor Camp Report, 2020
Piotr Szyhalski / Labor Camp

Not on View

black-and-white image; figure scaling a building on the R; pyramid shape on L, with storming clouds in ULC; circular shape with text that reads "THE HUMAN FLY" in LLC — The Human Fly, 1971
H. C. Westermann

Not on View

pieces of fragmented material, in colorful, pixilated designs, layered over each other to form an abstract dimensional image; turquoise background; red rectangle, arranged vertically in C; yellow shape with tiny dots in TC; black frame; long, skinny geometric shape on the R — New Moon Construction, Number 10, 2021
Erin Shirreff

Not on View

image of a large pile of old photographs; VHS tapes on L and in TC of image; daffodils and other purple faux flowers in URC; red textured cloth with debris on it in background — Abandoned House, Coahoma, Mississippi, 2021
Alec William Soth

Not on View

white budded cross with a white cloth tied around it, placed in the C in a flat landscape; blue sky across top — Thomas Merton's Grave, 2021
Math Bass

Not on View

collage consisting of two figures, labelled Frank and Sara, attached to an abstract background, with text across top edge ("Yondering") and bottom edge ("Ugh Ugh Ughskin Ugh"); male figure on L, "Frank," is outlined in black with red text labelling different body parts; the female figure on R, "Sara," is outlined in black with red cheeks and a gray body and shadow, surrounded by white text ("Sara in woods"), white trees, and yellow smiley faces; a rectangular addition is attached at C with abstract black imagery as well as text over red sections ("red+red+red"...etc.); background is mostly black and gray, with sections of red, yellow, and blue along upper edge; text across top is orange and blue with plus signs and a dream catcher on R; text across bottom is in patterned, geometric border — Yondering, 2011
Brad Kahlhamer

Not on View

dark black and white image of an ivy-covered brick building with a small porch at left; dense foliage in foreground — Untitled #3, (Cozad-Bates House), 2017 (printed 2021)
Dawoud Bey

Not on View

abstract image made up of many silver geomtric forms (nearly all rectangles and squares) with dark edges; gold rays radiating out from center of image; two tones of gold; dark bands at bottom and top URC; received in white frame — inti - killa, 2020
Ronny Quevedo

Not on View

line drawing of a standing youth with hands behind his back, wearing a wide-brimmed hat, blouse with wide ruffled collar and 3/4 sleeves, wide legged gaucho pants, and shoes with bows on top; text written at top of sheet: "R showed me how to make a / paper hat Looked like Watteau"; handmade cream paper with some rough and some smoother areas and some mottled pale tan areas — Garbo Drawing: R Showed Me How to Make a Paper Hat, 2018
Nicolas Africano

Not on View

%C2%A9 Wadsworth Jarrell

Revolutionary (Angela Davis), 1972

Wadsworth Jarrell; Publisher: Wadsworth Jarrell

Not on View

simplified image of figure wearing yellow shirt in URQ; rectangles forming door and window in blue, green, red, and orange; black and white checkerboard in foreground — Fachada con personaje en ventana (Building facade with figure in window), 1967-68
Teresa Burga

Not on View

black-and-white bust-length photograph of Ntozake Shange wearing a headscarf and a blouse with butterfly pattern at bottom center; radiating lines in black, yellow, green, orange, and red extending out from behind the photograph; white ground; received in white frame — Ntozake, 2020
Rico Gatson

Not on View

creature in C of image, with the head of a crying woman, on all fours, with colorful wings, eight breasts, and two looping purple shapes at rear; thought bubble of a broken heart with an arrow through it coming out of head of creature; erupting volcano in background; ship floating in a body of water in L; text in red and orange pigment reading "Madame" at BC — Madame B #2, 1965
H. C. Westermann

Not on View

vertical diptych: oval shaped composition made of similarly-sized torn-out dedication pages from books, with some more yellow-darkened sheets, on a white ground; received in white frames — For To (XI), 2021
Valeska Soares

Not on View

black and white image; photograph of a fragmented sheet that consists of 16 individual sheets attached in a grid to form an image of a standing figure wearing white clothing and a white headpiece in C; figure is "cracked" and fragmented, in which black passages with sharp edges obscure face, abdomen and PR arm, knees and a portion of legs; same fragment/ cracked pattern repeat in background at T quadrants; trees on L; two barrels in LRQ; overall sheet is pinned to a background, with pins in URC and ULC; medium wood frame — Fragment: Military Officer (from Alexander Schadenberg photographs of the Philippines, circa 1881-1896, National Anthropology Archives, NAA.PhotoLot.15), 2021
Stephanie Syjuco

Not on View

image of an open box with a pile of black and white photographs depicting a group of female figures in elaborate dresses and shawls, smiling and laughing with each other; stacks of stamped envelopes on the lid of the box on the R; brown background, with a white border; medium wood frame — Nationalities: Eleven Filipino women in native dress (from the American Counterpoint project, Alexander Alland, Sr., Photoprints, circa 1940, National Museum of American History, Archives Center, NMAH.AC.0204), 2021
Stephanie Syjuco

Not on View

wall hanging made of strips of cloth, with hanging cords, cloth, strings of beads, and tassels, and several globes made of wire — I was a hidden treasure, then I wanted to be known..., 2016
Igshaan Adams

Not on View

standing woman wearing a sheer sleeveless dress, with her hair in six braids being lifted by blooming cotton plants; woman holds a clothes iron with red at the tip in her PL hand; woman's eyes are white; tan background with pattern of blooming cotton plants; received in dark finish wood frame — White Guise, 2019
Alison Saar; Printer: Lari Gibbons at P.R.I.N.T. Press, University of North Texas, Denton; Publisher: P.R.I.N.T. Press, University of North Texas, Denton

Not on View

black and white image of a run-down wooden house behind a picket fence; blades of tall grass at bottom edge of image; trees in ULQ — Tall Grass, Fence, and Cabin, 2020
Dawoud Bey

Not on View

black and white image of a ditch filled with water in C; field and woods on R and L; line of telephone wires on L; cloudy sky; white frame — Irrigation Ditch, 2020
Dawoud Bey

Not on View

seated abstracted figure with dark hands and feet, with gold finger and toenails and a black rectangular cloth hanging down from a terracotta bowl-shaped hat as a face; open torso with black flat element on back, with a black heart with three brown vertical drips on a gold ground on inside of flat element/torso — Jesus with Bleeding Heart, 1972
Camille Billops

Not on View

25 rectangular panels arranged in a 5 x 5 grid; each panel is painted in tones of peach, tan, brown and pink — Synecdoche: David Ibata, Deborah Lesser, Dirk Young, James Bartolucci, Jazzi McGilbert, Jesse Clark, Julius Boxer-Cooper, Kazuichi Carter-McGinty, Liz Diament, Mariana Gariby Raeke, Marie Akridge, Marilou Acquino, Marlon Taylor-Wiles, Matt Skopek, Mike Beauchamp, Neil Borowicz, Pamela Cook, Rodrick McElveen, Ruby Jackson, Sarah Battle, Sarah Boxer, Victoria Fu, Willie Wright, Xander Carter-McGinty, Zachariah Rockhill, 1991-present
Byron Kim

Not on View

small black box with cream colored labed outined twice with red; device is a small charcoal colored Samsung drive the size of a quarter; "32 USB 3.1" written on the metal part — COVID-19: Labor Camp Report, 2020
Piotr Szyhalski / Labor Camp

Not on View

red velvet headcloth in TC, with ties stretched outwards towards R and L; peacock feather extends from bottom of headcloth, in C; repeating pattern of images of basketball players, intermixed with cut-out pieces of basketballs, painted red and silver, mixed throughout; black frame — Courtship Replay R. V., 2011-19
Nari Ward

Not on View

surreal image; reclining nude woman at center with her long dark hair falling into a vessel in LLQ; bird's nest with three spotted eggs at woman's PL hip; woman has her PR hand on a long feather or foliage stem in vase with her hair; two other half-length nude women in LRQ observing reclining figure--each of these women has two faces; three insects inside ovoids at top, URQ; archways with birds and cobwebs at right, with vines between them; vines with clusters of round pods or buds in LRQ; vertical columns of birds on branches through archways in URQ; black and purple on tan/pale peach/grey toned background — Mourning Doves, 2020
Lauren dela Roche

Not on View

dark black and white image of a building in ULQ; dense foliage in foreground; water at center — Untitled #18, (Creek and House), 2017 (printed 2018)
Dawoud Bey

Not on View

vertical diptych, framed together; black and white; two views--bottom image: construction workers behind chain link fence on a construction site; top image: figure on a tall folding ladder working on timber frame building with brick chimney or tower at center; received in white frame — The Builders (For Jacob Lawrence), 2019
Willie Birch

Not on View

image of a figure, on canvas and rendered with thin, black thread; standing, wearing a striped dress, hair in two buns, with pink high top sneakers — Pretty Pretty 3, 2020
Gio Swaby

Not on View

organic vertical form/column with flat back, covered in orange, yellow, white, black, and gold tesserae; triangle and diamond forms and stripes; black metal tube-shaped base — Africa: King and Queen, 1970
Jeanne Reynal

Not on View

image of a hand, rendered in thin black lines, and is white in color, with abstract spirals on index and ring finger; multicolored geometric shapes surround hand; blue and black shaded background, with thin white lines protruding out of shapes; white mat board with white frame — Untitled, 1984
Paulina Peavy and Lacamo (spirit muse)

Not on View

image of a boy wearing a baseball cap and a man with a beard wearing sunglasses in a brown car on a city street with figures in background; restaurant sign in URC; painting on adobe slab — Cruising, 2021
Rafa Esparza

Not on View

assemblage of two color photographs; top photograph in oval frame on top of bottom photograph in rectangular frame; top photo is image of a bust sculpture outdoors covered in a green tarp and tied with white rope; bottom image of thick foliage reflected in water; top frame has dark brown finish--bottom frame is medium-toned wood finish — Hoods in the Garden, 2019
Todd Gray

Not on View

portrait of a figure rendered in multicolored pigments, mostly red, with blue sections, outlined in thin, green lines, with light blue polka dots on shoulders and chest; image of figure dissolves into abstracted linear forms at the bottom; old photographs of families with young children, surround portrait; black background with blue text, some circled or outlined with red, green or blue lines; white section with "OCTOBER" in black pigment at TC; white rectangular section with Soviet symbol and text that reads "WHO OWNED HOW MUCH LAND?" inside, and outlined with red, jagged lines; black-and-white photograph in ULC — October, 2019
Kudzanai Chiurai

Not on View

abstract image; triangles and lines directed toward a vanishing point above picture plane, toward right; black (or deep indigo?) triangles at left and right, bordered in neon yellow; yellow, orange; bright neon green, lavender, and white; received unframed — Summer Lights, 1974
Rita Letendre

Not on View

lightbox in a black frame; image of a seated figure, wearing a black blazer and holding a beaded bag that has a blue flower in the C, surrounded by pink flowerers on the sides, and orange petals on top and bottom; figure is draped in beadwork- beaded bracelets on both wrists, elaborate beaded neck piece that extends down to chest area, a beaded piece in rainbow colors that covers face in a draping pattern, and headpiece is attached to a black stocking hat, with a pink baseball hat over top of stocking hat; gray background — Headress - Jeneen, 2018
Dana Claxton

Not on View

stylized, roughly symmetrical image; pair of Western soldiers wearing amor and helmets, one with sword and one with a cat-o-nine-tails whip, threatening a bound, kneeling, wounded nude dark-skinned figure; behind central figures is a standing figure in a brown robe, holding a bleeding heart in his PR hand and a cross in his PL hand, in front of an adobe church; solider at left with bloody sword, attacking a dark-skinned nude woman; soldier with sword at right holding a dark-skinned nude man by a rope tied around his neck; checkerboard border; printed in yellow, brown, and red — Saints and Sinners, 2017
Diego Romero; Printer: Landfall Press, Santa Fe, N.M. (formerly Chicago); Publisher: Landfall Press, Santa Fe, N.M. (formerly Chicago)

Not on View

three standing figures wearing jumpsuits, vests with many pockets, boots, knee pads, and gas masks, holding guns; head, upper body, and PR arm of a figure wearing a dark hooded sweatshirt, seen from behind, in foreground, holding up a cellphone, photographing soldiers; yellow and tan flames in background; checkerboard border; printed in yellow, tan, and brown; received in light-toned wood frame — American Diastrophism, 2020
Diego Romero; Printer: Black Rock Editions, Santa Fe, New Mexico; Publisher: Black Rock Editions, Santa Fe, New Mexico

Not on View

abstracted colorful image; two faces with wide eyes--LRC, with upper torso and PR arm and hand, and ULC; hand at center; snowman form at right center; bright multicolored circles, spirals, Xs, stars, arrows, and various lines and forms throughout; "NOTHING" in white above head in ULC; "I AM EVERYTHING, / AND NOTHING AT ALL" at left center; received in light-toned wood frame — Untitled, 2018
Phillip Vigil

Not on View

three standing figures; yellow background; C figure wears red headpiece; floating mount, with a brown wooden frame — Untitled, c. 1964
Agatha Wojciechowsky

Not on View

colorful landscape in multicolored pigments, with faces embedded in the landscape in C mountain area, in sky in ULC, and along bottom quadrants, as well as faintly along horizon line in URQ — Untitled, 1967
Agatha Wojciechowsky

Not on View

abstract image in mostly purple, washy pigments, with faces scattered throughout — Untitled, 1974
Agatha Wojciechowsky

Not on View

Untitled, Agatha Wojciechowsky — Untitled, 1973-1974
Agatha Wojciechowsky

Not on View

Untitled, Agatha Wojciechowsky — Untitled, 1964
Agatha Wojciechowsky

Not on View

image of a woman emerging from an abstract, multicolored flower; multicolored linear plumes sit on top of woman's head — Untitled, 1928
Frantisek Jaroslav Pecka and spirits

Not on View

figure wearing a red hooded shirt and a red, white, and blue smiling mask with round eye holes and three dark grey and white feathers on top; figure holds a coiled basketwoven ornament with white and black fur at top; blue ground with white spots; received unframed — Nunaniqvall', 2022
Cara Romero

Not on View

figure dressed in a blue jumpsuit wearing an astronaut's helmet, with ears of corn floating around figure; starry background; received unframed — The Zenith, 2022
Cara Romero

Not on View

black and white photograph of landscape with grove of joshua trees; grasses and two tall trees in foreground; rocky outcroppings in the background — Towük Kani (We Are Home), 2023
Cara Romero

Not on View

black sedan car on a grey road next to a white wall with windows with a view of palm trees; green grass in foreground with red tulip in LRC; medium-toned circular wood frame — Untitled (Black Car), Not dated
Frank Walter

Not on View

March 26, 2020: Your DEATH is Their PROFIT., Piotr Szyhalski / Labor Camp — March 26, 2020: Your DEATH is Their PROFIT., 3/26/2020
Piotr Szyhalski / Labor Camp

Not on View

March 24, 2020: Long Live Our Banks!, Piotr Szyhalski / Labor Camp — March 24, 2020: Long Live Our Banks!, 3/24/2020
Piotr Szyhalski / Labor Camp

Not on View

March 27, 2020: GOOD MORNING!, Piotr Szyhalski / Labor Camp — March 27, 2020: GOOD MORNING!, 3/27/2020
Piotr Szyhalski / Labor Camp

Not on View

March 28, 2020: LEADER of The Free World!, Piotr Szyhalski / Labor Camp — March 28, 2020: LEADER of The Free World!, 3/28/2020
Piotr Szyhalski / Labor Camp

Not on View

March 25, 2020: Open it Up!, Piotr Szyhalski / Labor Camp — March 25, 2020: Open it Up!, 3/25/2020
Piotr Szyhalski / Labor Camp

Not on View

March 31, 2020: Numbers Tree, Piotr Szyhalski / Labor Camp — March 31, 2020: Numbers Tree, 3/31/2020
Piotr Szyhalski / Labor Camp

Not on View

April 1, 2020: 6ft. apart., Piotr Szyhalski / Labor Camp — April 1, 2020: 6ft. apart., 4/1/2020
Piotr Szyhalski / Labor Camp

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April 4, 2020: WAR!, Piotr Szyhalski / Labor Camp — April 4, 2020: WAR!, 4/4/2020
Piotr Szyhalski / Labor Camp

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April 5, 2020: LOCKDOWN, Piotr Szyhalski / Labor Camp — April 5, 2020: LOCKDOWN, 4/5/2020
Piotr Szyhalski / Labor Camp

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March 30, 2020: PLAGUE, Piotr Szyhalski / Labor Camp — March 30, 2020: PLAGUE, 3/30/2020
Piotr Szyhalski / Labor Camp

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April 6, 2020: INVISIBLE ENEMY, Piotr Szyhalski / Labor Camp — April 6, 2020: INVISIBLE ENEMY, 4/6/2020
Piotr Szyhalski / Labor Camp

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April 2, 2020: ADDRESS TO THE NATION., Piotr Szyhalski / Labor Camp — April 2, 2020: ADDRESS TO THE NATION., 4/2/2020
Piotr Szyhalski / Labor Camp

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